Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!wuarchive!zaphod.mps.ohio-state.edu!casbah.acns.nwu.edu!ils.nwu.edu!sandell From: sandell@ils.nwu.edu (Greg Sandell) Newsgroups: comp.music Subject: Re: reality and computer sound [was WHAT HAS HAPPENED TO THIS NEWSGROUP?] Keywords: question for discussion Message-ID: <2271@anaxagoras.ils.nwu.edu> Date: 25 Jun 91 18:12:11 GMT References: <1991Jun14.164758.23557@agate.berkeley.edu> <152033.16945@timbuk.cray.com> <1299@artsnet.UUCP> <4188@ssc-bee.ssc-vax.UUCP> Sender: news@ils.nwu.edu Reply-To: sandell@ils.nwu.edu (Greg Sandell) Organization: The Institute for the Learning Sciences Lines: 38 In article <4188@ssc-bee.ssc-vax.UUCP>, carroll@ssc-vax (Jeff Carroll) writes: > > I was distressed by this thread when it appeared; I was afraid I'd have > to go to me Friendly Neighborhood University and buy an MMus in order to > be allowed to continue to read this group. [ in summary, complains about the "keep comp.music pure" movement, makes innuendos about elitism... ] I have noticed a common thread to all the postings complaining about topics being excluded from comp.music. None of them mention rec.music.synth. Some questions: do you recognize rec.music.synth as a viable place to talk about synthesizers? Do you think that there is a reason to have a second group to talk about the same subjects? If rec.music.synth started filling up with questions about historical musicology, music education, ethnomusicology and manuscript verification, wouldn't you complain that it was getting hard to weed through all the extraneous postings? Or would you protest against any such complaints on the grounds that the arguments were petty, territorial and elite? (Not that you used these words, but someone else did.) USENET, everybody knows, provides a variety of very specific topics of interest to computer users. Specializing offshoots of groups happens all the time on USENET, as I'm sure you know, and people take the trouble to do so with a call for votes. Take a look at how many specialized groups there are for the Macintosh (I count 11). Comp.music was formed, I suspect, to handle the traffic from a certain subset of rec.music.synth posters which merited having a group of its own. So aren't its readers and contributors justified in complaining about material appear that looks just like the stuff that is available in another group? -- Greg Sandell sandell@ils.nwu.edu