Path: utzoo!utgpu!news-server.csri.toronto.edu!cs.utexas.edu!swrinde!zaphod.mps.ohio-state.edu!rphroy!caen!uwm.edu!csd4.csd.uwm.edu!info-high-audio-request From: konar@lennon.SRC.Honeywell.COM (Mithat F Konar) Newsgroups: rec.audio.high-end Subject: Re: Chesky's 128x oversampling Message-ID: <13391@uwm.edu> Date: 25 Jun 91 12:51:48 GMT Sender: news@uwm.edu Lines: 20 Approved: tjk@csd4.csd.uwm.edu Originator: tjk@csd4.csd.uwm.edu In article <13355@uwm.edu> jas@proteon.com (John A. Shriver) writes: >...........Unfortunately, the sad reality is >probably that half of [the recording studios] haven't even replaced their >anti-aliasing filters with the improved Apogee ones! Be a bit more careful before hopping onto that bandwagon! There are many who feel that in solving one problem, Apogee created others that are worse than the original problems they were trying to solve. My gut feel (I've never actually run any tests on any pro digital gear) is that the easiest and best way to improve the sound of many pro digital recorders would be to simply get those wretched NE5532 dual ops or NE5534 singles out of the signal path. Replacement with TL07x (yup, that's right), AD711/712/746 or 845, or Motorola MC3408x series would probably work wonders. For some reason I simply cannot phathom, lots of engineers think the 5532 is well suited to audio amplification. I know it was designed for that purpose, but it's really not very good. In the case of a boom-box, it probably would not be a limiting factor on sound quality. But in a demanding applications, it certainly is. -Mithat Konar