From: utzoo!decvax!harpo!seismo!rocheste!stevans Newsgroups: net.records Title: Bruce Springsteen's Nebraska Article-I.D.: rocheste.185 Posted: Sun Nov 7 01:55:56 1982 Received: Sun Nov 7 03:40:30 1982 This is now the number 1 album in the US. It deserves this position. Bruce had this entire album recorded at his home on a cassette recorder, consisting almost entirely of his voice, harmonica, and guitar. The recording is of good quality, though not up to industry standards. Bruce Springsteen has been accused of owing a slice of royalties to Bob Dylan, and here he's completed (co-produced by Dylan's recent co-producer, Chuck Plotkin) his counterpart to Bob's 1967 masterwork "John Wesley Harding" -- a return to simple, basic musical values after the flood of brilliant excess that culminated in a double album for each man: "Blonde on Blonde" for Bob, "The River" for Bruce. Bruce has long had an obsession with death and cars, and here he further explores these and other relevant topics from the bleak out-of-work middle-American perspective introduced on "The River", calling the listener "sir" about once per song, and beginning many lines with "Well,". Highlights include "Open All Night", the only electric guitar song, a trek along the lonely New Jersey Turnpike; the titular song, a gripping and unavoidably depressing first person narrative of a shooting rampage; and "Highway Patrolman", a homespun tale of the American family values exemplified by the saying "blood is thicker than water". The album does have a few weak spots. "My Father's House" is a somewhat verbose follow-up to "The River"'s "Independence Day", saved only by the fascinating internal rhyming pattern used in the first verse (reminiscent of Dylan's "I dreamed I saw Saint Augustine" on "Harding"), a pattern which is not upheld during the rest of the song. I'm sure this stuff is cathartic for Bruce, but I must admit that I don't care quite two songs worth how Bruce feels about his father. The last song on the album, "Reason to Believe," contains somewhat contrived references to "The River," as though Bruce felt he must, as on that album, continue to make backwards references to his earlier material. This is the first cassette I have ever seen with lyrics inside -- no doubt so that, well, you can play this on your car stereo and read along while outrunning the State Police without a license, with a sawed-off shotgun, sir, and my pretty baby right by my side. All things considered, "Nebraska" is an tuneful and moving chunk of lower-middle-class America -- one that every red-blooded American rock-and-roller will love.