Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site gatech.UUCP Path: utzoo!linus!decvax!tektronix!uw-beaver!cornell!vax135!floyd!harpo!eagle!mhuxt!mhuxi!cbosgd!ihnp4!we13!otuxa!ll1!sb1!sb6!emory!gatech!tebo From: tebo@gatech.UUCP Newsgroups: net.music Subject: Harmelodics Message-ID: <353@gatech.UUCP> Date: Tue, 9-Aug-83 12:42:44 EDT Article-I.D.: gatech.353 Posted: Tue Aug 9 12:42:44 1983 Date-Received: Thu, 11-Aug-83 12:53:32 EDT Organization: Georgia Tech, School of ICS Lines: 14 I'm interested in hearing from anyone with any opinions or information about Ornette Coleman's "harmelodics." I'm especially interested in hearing about any interviews with Ornette published in the last few years. The terse, cryptic statement he made on his "Dancing in Your Head" LP was of help in making this VERY different sounding music more accessible to me. It may be that trying to attain a better intellectual understanding of harmelodic theory is a bad idea: intellectual listening often makes the listener less open to emotional/aesthetic interpretation. Despite these fears, I'm still interested in any comments. I'd also be interested to see if there IS anyone out there with a taste for this sort of music. Ornette "alumni" are also of interest. Blood Ulmer and Shannon Jackson are the only other purveyors of the idiom I know of. Additional information and/or record titles and/or reviews would be appreciated.