Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/26/83; site ihuxl.UUCP Path: utzoo!linus!decvax!harpo!eagle!mhuxt!mhuxi!mhuxa!houxm!ihnp4!ihuxl!messina From: messina@ihuxl.UUCP Newsgroups: net.music Subject: Re: Beatles Message-ID: <506@ihuxl.UUCP> Date: Thu, 25-Aug-83 15:11:08 EDT Article-I.D.: ihuxl.506 Posted: Thu Aug 25 15:11:08 1983 Date-Received: Sat, 27-Aug-83 10:24:42 EDT Organization: BTL Naperville, Il. Lines: 16 The number of tracks in a studio does not have any thing to do with how good it is. The way the studio is laid out, the kind of sound techniques that are used, and the equipment has the most effect on the studio. As far as how many tracks are concerned, a FOUR TRACK recording can sound just as good as 32 track recording. It just takes longer to produce the end result in a FOUR TRACK studio. This is up to the engineer to produce a good result when using four tracks not the studio ( besides I don't even think there was anything more than a 8 track studio back then (?) ). I would hardly call a 4 track studio primative, just hard to use when you have a lot of instruments and a lot of vocals (sort of like using ed and emacs, they both produce the same result, one just takes longer). ihuxl!messina