Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site mgweed.UUCP Path: utzoo!linus!decvax!harpo!eagle!mhuxi!houxm!ihnp4!we13!mgweed!rjr From: rjr@mgweed.UUCP Newsgroups: net.audio Subject: building speakers Message-ID: <4118@mgweed.UUCP> Date: Thu, 13-Oct-83 16:56:47 EDT Article-I.D.: mgweed.4118 Posted: Thu Oct 13 16:56:47 1983 Date-Received: Fri, 14-Oct-83 20:22:24 EDT Organization: Western Electric - Montgomery Illinois Lines: 65 After reading ihldt!dbg's thought on building speakers, I thought I would throw out mine: I have experimented with many speaker box designs. There were quite a few articles in "Popular Electronics" (I think the author's name was Webb) about building cabinets, mostly dealing with bass reflex types. I never had good luck with ported, or bass reflex designs. After consulting with a friend of mine who is an acoustical engineer at a well known acoustical lab affiliated with IIT, it seemed the best bet was to go for the infinite baffle design. It is a good one since, for one thing, the enclosure size is not critical, as it is with vented enclosures. One can try all kinds of speakers in the box without worrying about cone resonances etc. The main rules for constructing a cabinet (which apply to many types) are to make it heavy. Don't use 1/2 inch plywood. Use 3/4 inch stuff at least. If the cabinet is much larger than a bookshelf size, fasten ribs inside to stiffen the sides and back. It is a matter of choice whether you want to use screws or nails, but definetly use glue as well! The only exception to this is the front or back, if you want to be able to remove it. Put at least 4 or 5 inches of fiberglass padding on all inside surfaces, except the front. The idea is to make the box look as large, acoustically, as possible. I mounted a screw terminal strip on the back and brought out all speaker wires individually. The crossovers are mounted on the outside of the cabinets. I prefer a 3-way crossover system. My cabinets have a 12 inch woofer, a 8 inch cone type mid-range unit, and a horn tweeter. I selected crossover frequencies of 500 and 2500 Hz. My crossover is a 12dB/octave design taken from an old audio handbook. I wound the inductors with 22 Ga wire using laminations from a couple of old power supply filter chokes. The capacitors are all mylar or paper types. Do not use electrolytics! Even the non-polarized speaker caps that are sold (Radio Shack and others) are back-to-back electrolytics and the tolerance is lousy and they deteriorate after some years. If you have room, you can even use oil types. My measured crossover characteristics came out very close to the design figures. The low frequency crossover turned out at 535 Hz rather than the intended 500, but otherwise there were no other departures. For serious listening to classical music, I also use a pair of "Ionovac" tweeters. These have a high impedance input and I connect them across the existing horns. Today, I would recommend one of the dome tweeters. They are clean and efficient. One should connect the tweeter to the crossover through a "L" pad. Many speaker systems used to incorporate one as a "brilliance" control. It helps balance out the system. Single driver wide range "coaxial" speakers are OK for background use only, as far as I am concerned. I don't think one can expect a 10 or 12 inch cone, being pounded by bass, to simultaneously work well on the mid and high frequencies. Be sure the high and mid range speakers have solid backs so the back-wave from the woofer does not reach them. Bob mgweed!rjr