Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site fluke.UUCP Path: utzoo!linus!security!genrad!decvax!harpo!floyd!vax135!cornell!uw-beaver!ssc-vax!fluke!bhaskar From: bhaskar@fluke.UUCP (K.S. Bhaskar) Newsgroups: net.audio Subject: Re: Plea for non-(one-trackness) - (nf) Message-ID: <768@vax2.fluke.UUCP> Date: Mon, 17-Oct-83 20:10:47 EDT Article-I.D.: vax2.768 Posted: Mon Oct 17 20:10:47 1983 Date-Received: Wed, 19-Oct-83 15:26:31 EDT References: <2075@hp-pcd.UUCP> Organization: John Fluke Mfg. Co., Everett, Wash Lines: 16 The records I use to evaluate a stereo system (they tend to vary, this is a general sort of list, but it includes a couple of different types of music): - Pink Floyd's "The Dark Side of the Moon" from Mobile Fidelity - 1812 Overture from Telarc - Handel's Music for the Royal Fireworks from Telarc - Amanda MacBroom and Lincoln Mayorga's "Growing Up in Hollywood Town" from Sheffield (the human voice is an excellent test for a stereo) I also have an Omnidisc, but have not found it to be as useful as I had hoped it would be (so now, I use it mainly for the pink noise to set the bias on my cassette deck), though Sides 3 and 4 certainly tax one's stereo. However, I felt with these that I was beginning to listen more to my equipment and less to the music, which is the threshold at which audiophilia begins to approach lunacy... -- K.S. Bhaskar {allegra,microsoft,lbl-csam,sb1,uw-beaver}!fluke!bhaskar