Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site pyuxn.UUCP Path: utzoo!linus!decvax!harpo!eagle!mhuxi!mhuxh!mhuxd!mhuxa!mhuxv!mhuxt!mhuxr!mhuxm!pyuxi!pyuxn!rlr From: rlr@pyuxn.UUCP Newsgroups: net.music Subject: Re: Emerson -- Wakeman Message-ID: <302@pyuxn.UUCP> Date: Tue, 11-Oct-83 09:43:08 EDT Article-I.D.: pyuxn.302 Posted: Tue Oct 11 09:43:08 1983 Date-Received: Thu, 13-Oct-83 03:22:48 EDT References: <286@pyuxn.UUCP> <2042@rabbit.UUCP> Organization: Bell Labs, Piscataway Lines: 21 Apparently it is OK to say that one likes an album in very strong terms, but not OK to say the opposite. If I had said that Journey to the Center of Wakeman's Ego was the greatest album ever made, would anyone have even cared? Most people would have probably laughed. Yet when I deride the album I am accused of imposing my will on music listeners like the pontiff of pop. Now some serious criticism of the record: the band is truly mediocre, serving only as fillins for Wakeman's soloing. The singers were atrocious, hardly ever staying in tune. The use of orchestra was overpompous, amateurish, and extremely sloppy. And the music was repetitive (not in the sense that Philip Glass is repetitive; segments kept repeating themselves over and over for no apparent reason), boring (consisting of monotonous scales), and unoriginal (which is nothing new for Wakeman). I won't even begin to enter into a discussion about the "lyrics". Are only positive criticisms of your favorite works allowable on the net? Judging from this reaction, I don't dare discuss Keith Emerson's so-called Piano Concerto. Rich (As usual, my opinions are my own and do not reflect anything. If you have contrary opinions, you are as welcome as anyone else to submit them to the net, just keep the flames you intended for me aimed at your own private parts! Why are we even discussing such ancient history anyway??????)