Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site allegra.UUCP Path: utzoo!linus!decvax!harpo!eagle!allegra!cbf From: cbf@allegra.UUCP Newsgroups: net.records Subject: Re: Favorite Recordings Message-ID: <1900@allegra.UUCP> Date: Tue, 18-Oct-83 16:54:15 EDT Article-I.D.: allegra.1900 Posted: Tue Oct 18 16:54:15 1983 Date-Received: Thu, 20-Oct-83 06:29:38 EDT References: <158@iwu1c.UUCP> Organization: AT&T Bell Laboratories, Murray Hill Lines: 29 Speaking of Mozart done the way he heard himself performed, DG Archiv has been inspired by the success of the L'Oiseau-Lyre set and is undertaking a cycle of the complete piano concertos with Malcolm Frager conduction from the pianoforte, but the really interesting twist is not just the use of original instruments and pitch. Rumor has it that Frager will amplify the role of the piano to include extensive continuo playing in addition to the traditional solo line. So, no longer will we wait two or three minutes for the piano's entrance after the orchestra's opening argument. I can't imagine what the D minor concerto, No. 20 (my choice for the very last thing I'd like to hear on my deathbed) will sound like, but if the set of the symphonies (I've only heard the Great G minor and "Jupiter" from it) is any indication, we might be in for yet more wonderful revelations. The Pinnock original instrument version of the Brandenburg Concertos on Archiv is also worth hearing, although authentic performances of those pieces abound. Solti's Mahler's First better than Kubelik's? That is praise indeed. We'll have to see about that one. His Mahler's Second is very good indeed, but the Chicago/Abbado on DG is the one to have, for I think the singing in his recording is better. Solti's finale is perhaps more exciting, but it doesn't have the joy that Abbado's radiates. By the way, I can't see what the big fuss over Levine's RCA recording of the Seventh is all about. It's definitely acceptable, but hardly the achievement that everyone claims it is. Am I missing something, or is it just that I'm used to think of him as a second-rate conductor? Comments? --Charles (decvax!allegra!cbf)