Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site mit-eddie.UUCP Path: utzoo!linus!security!genrad!mit-eddie!gds From: gds@mit-eddie.UUCP (Greg Skinner) Newsgroups: net.music Subject: Re: Oh, well. Message-ID: <1021@mit-eddie.UUCP> Date: Thu, 8-Dec-83 19:02:30 EST Article-I.D.: mit-eddi.1021 Posted: Thu Dec 8 19:02:30 1983 Date-Received: Fri, 9-Dec-83 03:19:40 EST References: <1018@mit-eddie.UUCP> Organization: MIT, Cambridge, MA Lines: 16 I see that I have stumbled on the old argument of ... if it's commericalized pop, it's worthless, as opposed to some more creative forms of music which do not sell as well. Some examples of this I have cited in earlier issues ... read about jazz artists who go over to pop to make money. The musical quality of the last Journey and Loverboy albums was rather commercial, but sometimes it's more fun to hear music that makes you feel good than doesn't move you, makes you depressed, or makes you vomit. I know that I will probably receive lots of flames for this, but I tend to rate music on how good it makes me feel, and not so much on what the words are saying. True, if the words are there they ought to mean something but that meaning should be left up to the listeners of the music rather than dictated by the writers of the music.