Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site bbncca.ARPA Path: utzoo!linus!bbncca!sdyer From: sdyer@bbncca.ARPA (Steve Dyer) Newsgroups: net.audio Subject: Re: More Digital vs. Analogue Message-ID: <453@bbncca.ARPA> Date: Sat, 7-Jan-84 18:20:45 EST Article-I.D.: bbncca.453 Posted: Sat Jan 7 18:20:45 1984 Date-Received: Sun, 8-Jan-84 01:21:41 EST References: <113@olivej.UUCP> Organization: Bolt, Beranek and Newman, Cambridge, Ma. Lines: 13 As has been discussed here before, recording techniques have a profound effect on the depth and clarity of the soundstage. I have heard excellent digital recordings of local Boston performances made by members of the Boston Audio Society, using only two or three microphones. Unfortunately, the ossified techniques of many of the major recording studios and their engineers still produce flat, lifeless and unconvincing products. I suspect your bad experiences with digitally recorded records are actually examples of this. -- /Steve Dyer decvax!bbncca!sdyer sdyer@bbncca