Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site drufl.UUCP Path: utzoo!linus!decvax!harpo!ulysses!mhuxl!ihnp4!drutx!drufl!pmr From: pmr@drufl.UUCP (Rastocny) Newsgroups: net.audio Subject: Re (..!rabbit!jj): High Quality Recordings Message-ID: <766@drufl.UUCP> Date: Thu, 5-Jan-84 10:23:18 EST Article-I.D.: drufl.766 Posted: Thu Jan 5 10:23:18 1984 Date-Received: Sun, 8-Jan-84 21:28:38 EST References: <355@whuxk.UUCP>, <2349@rabbit.UUCP> Organization: AT&T Information Systems, Denver Lines: 23 I think that we should put things about digital and analog sound into historic perspective. The most recent analogy of what is happening today between these two formats is the introduction of the Phillip's cassette tape format. When cassettes were first introduced, they sounded fair at best, speech being the only range that these new recorders could handle even moderately well. 15 years later, things have changed and the Nakamichi Dragon is considered excellent in storing the sonic information of an analog disc. Quite an improvement! Now, the digital CD format is the new contender. Although the sound is getting better (new filter designs, improved error correction schemes, etc.), CDs are still inferior to state of the art analog sound TODAY. This is the only issue that the people at SHEFFIELD are making; of course they have a vested interest, but their philosophy at SHEFFIELD is to make the best reproduction as humanly possible regardless of recording format. The day that digital recorders and playback systems become superior to analog, SHEFFIELD will most likely buy a state-of-the-art digital system and gear up to that. It's not that they're anti-digital, but rather pro-quality. Yours for higher fidelity, Phil Rastocny ..!drufl!pmr