Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site allegra.UUCP Path: utzoo!linus!decvax!harpo!eagle!allegra!cbf From: cbf@allegra.UUCP (Francois) Newsgroups: net.audio Subject: Re: NX 40 ... Message-ID: <2204@allegra.UUCP> Date: Fri, 13-Jan-84 12:52:51 EST Article-I.D.: allegra.2204 Posted: Fri Jan 13 12:52:51 1984 Date-Received: Sat, 14-Jan-84 03:42:08 EST References: <65@whuxj.UUCP> Organization: AT&T Bell Laboratories, Murray Hill Lines: 31 Just to lend Mr. Lee a bit of support, I'll testify that I don't doubt his word in the slightest as to his finding pumping and breathing problems with his dbx unit. As far as I'm concerned, he's not giving dbx a gratuitous bad rap. I honestly can't say anything about dbx-encoded discs, but I'll repeat what I said earlier about the Teac V2RX tape deck ($520 list) that I owned for all of six days before I returned it. To wit, although I had ABSOLUTELY NO idea about dbx's alleged problems before I bought it and therefore NO preconceptions, I immediately detected my deck's shortcomings in dubbing some of my (mass-produced, of course -- can't hear Gilels otherwise) piano recordings. I'd describe what I heard as a sort of ripple effect, that is a detectable, though not excessive, burst of hiss accompanying loud passages. Of course, when the passage happens to be a single staccato note, the result is terribly distracting (once you detect the problem, you simply can't stop listening for it). Also the quieter the record itself (e.g. digital LPs), the more noticeable the problem becomes. There is a small possibility that the dbx circuitry in my deck was misadjusted, but I would tend to discount it, especially since the deck itself behaved superbly and was built like the proverbial battleship. Also when I took it back for a refund (Bryce audio in NYC was very nice about it), the employee who took it back and asked for a description of the problems muttered softly, "Yeah, that's the problem with dbx". It could be that with more expensive outboard units, the problem effectively goes away, but I'm not very eager to take that risk, especially when Dolby C is quite adequate for my home taping needs. Ever since then, I've started reading the audio mags (especially Stereo Review; Audio can be lukewarm and even down right cold toward a tested unit) with a huge grain of salt. -- "Yes, but is it art?" Charles B. Francois (decvax!allegra!cbf)