Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site olivej.UUCP Path: utzoo!linus!philabs!seismo!hao!hplabs!oliveb!olivea!olivej!greg From: greg@olivej.UUCP (Greg Paley) Newsgroups: net.audio Subject: Why I'm so hard on CD's Message-ID: <121@olivej.UUCP> Date: Thu, 19-Jan-84 14:15:06 EST Article-I.D.: olivej.121 Posted: Thu Jan 19 14:15:06 1984 Date-Received: Sat, 21-Jan-84 02:46:26 EST Organization: Olivetti ATC., Cupertino, Ca Lines: 44 The article which posed the argument as to how the audiophile community would react if CD's were the standard and LP's the new product was quite thought-provoking. I find that I tend to complain about the CD's so bitterly not because they are really that godawful, but because of the way the general audio press has proclaimed them as paragons of sound reproduction and labelled anyone who hears the faults as "cranks". I feel that digital recording and CD's as a sound-reproduction medium have tremendous potential. However there are problems (which Denon, a manufacturer of CD players, admitted with remarkable frankness in a letter to Absolute Sound that came out in Spring of '83). I also have, from my own experience, a good idea of how real-life marketing and product planning work. If the general audio press proclaim the current product as perfect, and if enough consumers swallow this rather than using their own ears, there will be absolutely no incentive to spend the money to do the necessary R&D to fix the problems. This is, in my view, reason enough to raise a stink about what I and others have heard as serious deficiencies. Flame me for saying this if you like, but I seriously believe that the general public believes what it is told by the media (particularly the printed page) even when what it is told conflicts with its own perceptions. I've seen this over and over again in musical performance as well as sound reproduction. If a tenor with a rasping voice and strident, constricted high notes is publicized as being the "Greatest in the World", the public will believe it and find anything that deviates from this to be lacking. Similarly, if Stereo Review judges sound reproduction in terms of sizzling highs and thunderous lows with no mention of such "details" as natural balance and perspective and a realistic representation of hall ambience, then this will set the industry standard. Greg Paley Olivetti ATC, Cupertino, Ca.