Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site pyuxn.UUCP Path: utzoo!linus!philabs!seismo!harpo!ihnp4!houxm!mhuxl!mhuxm!pyuxww!pyuxn!rlr From: rlr@pyuxn.UUCP (Rich Rosen) Newsgroups: net.music Subject: Re: MIDI (Musical Instrument Digital Interface) developments Message-ID: <422@pyuxn.UUCP> Date: Thu, 26-Jan-84 11:19:13 EST Article-I.D.: pyuxn.422 Posted: Thu Jan 26 11:19:13 1984 Date-Received: Sat, 28-Jan-84 01:14:54 EST References: <146@ihopa.UUCP> Organization: Central Services Org., Piscataway N.J. Lines: 47 A followup to Dave Burris' article on MIDI (Musical Instrument Digital Interface). (Interesting note: apparently this newsgroup's original charter involved discussion of computer applications in music. Dave's article was one of the first in a very long time regarding this topic.) An article in Musician magazine (#64, 2/84, p. 88) sheds some additional light on new MIDI developments. Roland has announced the MPU-401 interface, which finally provides a means of controlling MIDI-compatible instruments through a computer (currently using IBM-PC or Apple //e). Previously MIDI keyboards could control other MIDI keyboards, but that was about it. Roland (along with Sequential Circuits, Korg and others) produces a number of keyboards that are MIDI-controllable/compatible including a twelve-voice electronic piano, a series of "Jupiter" polyphonic synthesizers, as well as a digital drum box (TR-909) and (in the future) a MIDI guitar synthesizer. The way the MPU-401 works, you can program a part for any of four controlled MIDI instruments from any one of the four connected instruments intended for control. Thus, you can program the drum part by keying it in on the piano. (that's what the article says--it's not clear how this is done) I quote from the article: "The computer play[s] back the various [previously entered] parts on all four instruments simultaneously. Tempo can be varied to any speed, without change of pitch. Music can be transposed as desired. To be included in the software will be programs for varying degrees of timing error correction, provisions for editing phrases [!!!!!] and storage and playback of dynamics [!!!!!!!], involving not only the change of volume but of attack as well." The final paragraph of the article is interesting: "In a dramatic departure from industry practice, Roland has discarded proprietary privileges and has made the MPU-401 circuitry available to all interested software writers. It is their view that some of the great creative innovations to come in the MIDI field may well come out of garages, and it's hard to disagree." That means all music software hackers (if I can still legally use that word) will have a field day writing compositional software, song editing programs, etc. for this MIDI world. P.S. The MPU401 will retail for $175. I have a couple of questions about Dave Burris' earlier article. Does Moog really adhere to MIDI standards? On what machines? Moog has for the last few years been at the foreback of music technology, esp. in terms of compatibility with the rest of the world. Also, could Dave (or anyone who knows) please publish more info on MIDI standards and specs. It would be of interest to at least me, and probably many others. -- Pardon me for breathing... Rich Rosen pyuxn!rlr