Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site ut-sally.UUCP Path: utzoo!linus!philabs!seismo!ut-sally!jsq From: jsq@ut-sally.UUCP (John Quarterman) Newsgroups: net.women Subject: Re: The power of words Message-ID: <847@ut-sally.UUCP> Date: Tue, 31-Jan-84 00:45:19 EST Article-I.D.: ut-sally.847 Posted: Tue Jan 31 00:45:19 1984 Date-Received: Fri, 27-Jan-84 08:54:21 EST References: <6449@watdaisy.UUCP> <162@ihu1g.UUCP> Organization: U. Texas CS Dept., Austin, Texas Lines: 32 Ursula LeGuin wrote a novel called The Left Hand of Darkness, in which most of the characters were of a race where each person was at different times male, female, and neither. She used masculine pronouns in referring to her characters. This caused complaints from many feminists that she should have either invented neutral pronouns or used female ones as well as or instead of male ones. Some time earlier, Ms. LeGuin had written a short story called "Winter's King" that was a prequel to the novel. In revising it for the collection The Wind's Twelve Quarters, she used male titles and female pronouns. The universal reaction to this practice among everyone I have asked about it was mild disorientation or sensation of novelty at first, but almost complete disregard by the end of the story. The pronouns had little or no effect on the perception of the characters by the readers, regardless of the readers' preconceptions beforehand. There *was* an effect on perception of the relation of parent and child, but possibly not what you would think. You must remember, though, that LeGuin *wrote it that way* in both cases. If someone had taken the novel and changed all the male pronouns to female ones and then *passed off passages as real quotations* that would be indefensible. Book burners are no worse. Furthermore, with short one-line or one-paragraph "quotations", all you see is the novelty, not the real final effect (or lack, rather). Of the examples given in a previous article, the Thomas Wolfe "quotation" was the worst mangled because his prose depends so much on the sound and especially the rhythm of it. But all of them were *WRONG* because *that's*not*what*they*wrote*! -- John Quarterman, CS Dept., University of Texas, Austin, Texas jsq@ut-sally.ARPA, jsq@ut-sally.UUCP, {ihnp4,seismo,ctvax}!ut-sally!jsq