Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site decwrl.UUCP Path: utzoo!watmath!clyde!floyd!harpo!decvax!decwrl!rhea!delphi!malik From: malik@delphi.DEC (Karl Malik ZK1-1/D42 ) Newsgroups: net.music Subject: Elliot Carter Message-ID: <6925@decwrl.UUCP> Date: Fri, 6-Apr-84 14:55:23 EST Article-I.D.: decwrl.6925 Posted: Fri Apr 6 14:55:23 1984 Date-Received: Sat, 7-Apr-84 06:19:54 EST Organization: DEC Engineering Network Lines: 26 Subj; Analysis of music of Elliot Carter? Has anyone out there studied the music of Eliott Carter? Attended a seminar, a theory class, etc.? Can anyone offer any suggestions as to the note-to-note structure of his works? I've been staring at his Brass Quintet. Like many of his pieces, there is the usual stylistic independence of instruments ('personalities') and sections based on certain intervals or chords. But, for example, in a section based on sixths, I can find no structure other than he's playing with sixths. Is that all (no denigration intended) there is to it? Is his choice of pitches, patterns, rhythms, etc. wholly intuitive? That's my guess, but I wonder if I'm missing something. Carter anecdote - Someone once asked Carter if his music was 12-tone. He replied that he didn't know, since he had never analyzed them from that perspective. - Karl ...decvax!devwrl!rhea!star!malik