Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site eosp1.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!princeton!eosp1!robison From: robison@eosp1.UUCP (Tobias D. Robison) Newsgroups: net.music Subject: Re: People who talk about outgrowing rock and roll should grow up Message-ID: <780@eosp1.UUCP> Date: Fri, 6-Apr-84 17:16:42 EST Article-I.D.: eosp1.780 Posted: Fri Apr 6 17:16:42 1984 Date-Received: Sun, 8-Apr-84 01:13:29 EST References: <1621@stolaf.UUCP> Organization: Exxon Office Systems, Princeton, NJ Lines: 24 Arguing about whether Rock or Classical music is "more creative" can be really stupid. Each artform has dimensions in which there is great emphasis on creativity, and dimensions in which no one cares for variation or precision. We listeners develop sensitivities appropriate to the style. It's completely unfair to criticize one style of music for failing to conform to the sensitivities of another. If I were to do this unfair thing, my favorite example is: - Rock piano players are incredibly hamhanded in their sense of touch. There is more creativity in the variation a classical pianist can give to the sound of the piano than there is in all the improvisation of rock music. Jazz pianists have this sensitivity too! Why not rock pianists? By the way, Rock is also remarkably simpleminded in its choice of rhythms. I am waiting patiently for rock composers to start using rock rhythms that have been explored a great deal in 20th century classical music. Where is Bulgarian rock?? Give me some of that driving 7/8, and 13/8 meter (See Bartok)! It's not much different from many common rock rhythms, just fresh and exciting. - Toby Robison (not Robinson!) allegra!eosp1!robison decvax!ittvax!eosp1!robison princeton!eosp1!robison