Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: Notesfiles; site convex.UUCP Path: utzoo!watmath!clyde!floyd!harpo!ulysses!mhuxl!ihnp4!inuxc!pur-ee!uiucdcs!convex!ahearn From: ahearn@convex.UUCP Newsgroups: net.music Subject: Re: Elliot Carter - (nf) Message-ID: <39000004@convex.UUCP> Date: Wed, 11-Apr-84 10:22:00 EST Article-I.D.: convex.39000004 Posted: Wed Apr 11 10:22:00 1984 Date-Received: Fri, 13-Apr-84 08:08:44 EST References: <6925@decwrl.UUCP> Lines: 16 Nf-ID: #R:decwrl:-692500:convex:39000004:000:463 Nf-From: convex!ahearn Apr 11 09:22:00 1984 #R:decwrl:-692500:convex:39000004:000:463 convex!ahearn Apr 11 09:22:00 1984 As you gain insight into Carter's music, please post your results to the net. I've been listening to Carter for a year or so and would like to see some technical analysis of his work. (I'm not a musician or composer, so I've been relying on reading and intuitive response so far.) I really like some of Carter's later pieces, especially *Seringa*, which is based on text by Aeschylus and the contemporary poet John Ashberry. Thanks in advance. Joe Ahearn