Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!watmath!clyde!akgua!mcnc!decvax!harpo!ihnp4!zehntel!tektronix!hplabs!sri-unix!cwr@SCH-Gila From: cwr%SCH-Gila@sri-unix.UUCP Newsgroups: net.sf-lovers Subject: high frame rates / strobing Message-ID: <12408@sri-arpa.UUCP> Date: Fri, 6-Apr-84 21:20:00 EST Article-I.D.: sri-arpa.12408 Posted: Fri Apr 6 21:20:00 1984 Date-Received: Sun, 22-Apr-84 09:30:51 EST Lines: 30 From: Craig W. Reynolds Date: 1 Apr 84 21:36:54-PST (Sun) From: hplabs!tektronix!uw-beaver!cornell!vax135!floyd!clyde!watmath!wa From: tcgl!dmmartindale @ Ucb-Vax Subject: Re: high-speed film ... With 60 frames/sec, motion would be a lot smoother. Does it use a single-blade shutter in the projector? That would get rid of the double-image effects seen when something moves rapidly. I think Showscan uses a single bladed shutter. The 60 hertz frame rate does make the motion look better, higher sampling rates allows higher frequencies in the motion with less noticable strobing. On the other hand, higher frame rates do not make the problem (temporal aliasing) go away, any more than using more pixels (higher resolution) on a display screen makes the "jaggies" (spatial aliasing) go away. It merely reduces the amplitude of the error. BTW: the correct solution to the strobing problem is to use "long" (on the order of a frame time) "time exposures" to allow the image to integrate, to properly blur on the film. Unfortunatly for real cinema- tographers, this means that the camera must do its close-shutter/pull- down-film/open-shutter cycle in zero time (a mechanical impossibility). And in fact, preferably the exposure periods of two sequential frames would overlap to some extent (sort of a "cross dissolve") which -- since the camera has only one frame behind the lens at a time -- is a logical impossiblity. Luckily, this is not a problem for people who make movies by computer simulation...