Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version VT2.2 2/15/84; site vortex.UUCP Path: utzoo!linus!decvax!vortex!lauren From: lauren@vortex.UUCP (Lauren Weinstein) Newsgroups: net.video Subject: converting film to video Message-ID: <299@vortex.UUCP> Date: Fri, 13-Apr-84 23:38:00 EST Article-I.D.: vortex.299 Posted: Fri Apr 13 23:38:00 1984 Date-Received: Sun, 15-Apr-84 01:25:22 EST Organization: Vortex Technology, Los Angeles Lines: 21 This is still usually done in much the same manner that has been used since the early days of television. The "film chains" which do the job are essentially just a movie projector with a lower than normal intensity bulb pointed into a video camera. There are usually some mirrors and lenses in between to help with size adjustments and such, but the basic idea is quite simple. To avoid flicker between the 30 frames/sec (NTSC) frame rate and films's 24 frames/sec rate, the projector (which would usually have a synchronous motor) has a special shutter and gearing installed that displays some frames "twice" rather than the "even" display rate that conventional projector shutters provide. This difference cannot be noticed by the viewer but allows a match between 24 and 30 frames/sec. If you try this with an ordinary projector (i.e. by aiming a video camera at a movie screen) it will work, but there will be flicker caused by the frame rate mismatch. For some simple applications, this might be acceptable. Be sure NEVER to aim a video camera directly at a normal projector -- the high intensity lamp might burn out the vidicon in the camera! --Lauren--