Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!hogpc!houxb!hrs From: hrs@houxb.UUCP (H.SILBIGER) Newsgroups: net.audio,net.music.classical,net.music Subject: Re: Tone deafness AND absolute pitch Message-ID: <294@houxb.UUCP> Date: Fri, 4-May-84 14:12:11 EDT Article-I.D.: houxb.294 Posted: Fri May 4 14:12:11 1984 Date-Received: Sat, 5-May-84 02:21:40 EDT References: <293@houxb.UUCP> pyuxn.632 Lines: 14 Mr Rosen, the article on tone deafness was posted to net.audio since there was a question in Mr DeBenedictis' article requesting information on equalizers about his alleged tone deafness. I also posted it to net.music.classical. Your pitch identification ability is a form of relative pitch identification, where you use memory as your referent. If your memory referent did not shift, one could not tell the difference between your skill and that of someone with absolute pitch. The exact mechanism of absolute pitch is not known. It apparently has to develop in early childhood, but has been shown to be training dependent. People with absolute pitch can tell whether a turntable is running only a semitone fast! Herman Silbiger CGE (Certified Golden Ears, but only relative pitch)