Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site brl-vgr.ARPA Path: utzoo!watmath!clyde!akgua!sdcsvax!sdcrdcf!hplabs!hao!seismo!brl-tgr!brl-vgr!ron From: ron@brl-vgr.ARPA (Ron Natalie ) Newsgroups: net.audio Subject: Re: Equalizers and Me Message-ID: <1671@brl-vgr.ARPA> Date: Wed, 9-May-84 11:51:15 EDT Article-I.D.: brl-vgr.1671 Posted: Wed May 9 11:51:15 1984 Date-Received: Sat, 12-May-84 12:03:08 EDT References: <218@whuxj.UUCP> <1572@sunybcs.UUCP> Organization: Ballistics Research Lab Lines: 27 COUNTER FLAME. 1. 30 K worth of acoustic foam will not help your room any. Not too many of us can afford to have a room large enough for ideal listening. (Although 30K is probably a good down payment on a new house). 2. If you can hear equalizers all the time, then I don't suppose you like listening to recorded music, because nearly every recording board I've ever seen has at least a three band parametric equalizer sitting on each channel that the engineers love to tweek, so they are very often not flat. 3. Most people set their equalizers to what they want the material to sound like which is not necessarily flat. Just a matter of taste. If you like yours vanilla than go ahead and save the money on the eq. Due to the need for some acoustavoicing (all though this is a poor substitute for having flat components and an accoustically nice room) and to adjust for peoples taste in eq, equalizers are probably here to stay. I bought mine because my AMP and PREAMP don't have any tone controls. Most of the time it does stay switched out (mechanically) but I had a slight boost around 5k for a while due to a odd shaped room I had. I also use it for squelching the high end of things that are either scratchy (sorry no SAE 500's or Carvers yet) or have not quite ultrasonic components in them. -Ron