Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83 based; site houxa.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!houxa!czp From: czp@houxa.UUCP (C.PODARAS) Newsgroups: net.audio Subject: cd playback sampling delays Message-ID: <415@houxa.UUCP> Date: Tue, 15-May-84 14:40:12 EDT Article-I.D.: houxa.415 Posted: Tue May 15 14:40:12 1984 Date-Received: Wed, 16-May-84 04:17:05 EDT Organization: AT&T Bell Labs, Holmdel NJ Lines: 57 a number of people have replied to an earlier article which i posted to the net regarding cd recommendations. in that article, i made the following statement: > if you listen to any of these on a good CD player -- one that creates > *simultaneous* (ie, no inter-channel half-sampling-period delay,like > the sony cdp 101) channel outputs thru appropriate data buffering > and use of dual D/A's, and has some semblance of flat-group-delay- > characteristic reconstruction filters -- you will (assuming you like the > music) be *amazed* at what this medium can sound like. to answer some of the questions, here goes... the standard for cd recording (ie, sony, philips, aes standards committee) calls for ** simultaneous ** sampling of audio channels; in the case of mastering for cd, this means that left and right are sampled at the same time. the l and r channel bits are then combined (interleaved) into a single stream for recording into the cd medium. for playback, this serial stream enters a buffer, allowing the left and right channel bits to be pulled apart, and hence the channels can be played back simultaneously. following the standard, then, will cause l and r output signals to be coincident in time. the problem is that some players don't have the buffers. (philips and marantz players, to mention two, are ok.) some players (ie, sony cdp101) use a single d/a converter which switches very quickly from l to r channel, causing an 11.34 us time lag between channels (half of the 22.68 us sampling period, as the converter switches back and forth to cover both channels for each period). also, some other players use separate d/a's for each channel, but still no buffering: they switch the error-corrected output very quickly between the converters' inputs during a sampling period, which still causes the half-sampling-period lag. this lag causes a slight high-frequency phase shift, which (pick your side of the fence) may be an audible degradation in stereo playback. however, there's no question that problems do exist in mono playback, where (as many broadcasters have unfortunately found out) the high-frequency cancellation is ** very ** noticeable. the solution thus far has been either to use analog delay lines, or to switch to a "good" player. check this out on your cd player by listening to a *stereo source* (ie, music disc: some test discs only have material on one track at a time) with the preamp playback mode in mono. headphones recommended. result?...bummer. don't mean to disillusion you early player owners; just remember there's always a learning curve in engineering design. ah, the old engineering "gotcha": get tricky to save $ by scrimping on parts, and marketing will love ya. then murphy comes to town and lays down his law... (i'll buy one eventually, when you don't have to tear it apart in lab to make it work) chuck podaras bell communications research holmdel, gnu joizee {..., ihnp4}!houxa!czp