Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site opus.UUCP Path: utzoo!watmath!clyde!burl!ulysses!harpo!seismo!hao!cires!nbires!opus!rcd From: rcd@opus.UUCP (Dick Dunn) Newsgroups: net.audio Subject: Re: What does "distortion" sound like? - (nf) Message-ID: <494@opus.UUCP> Date: Sat, 19-May-84 03:23:35 EDT Article-I.D.: opus.494 Posted: Sat May 19 03:23:35 1984 Date-Received: Mon, 21-May-84 03:27:54 EDT References: <32900004@convex.UUCP> <346@drutx.UUCP> Organization: NBI, Boulder Lines: 26 >Distortion: If it doesn't sound like the real thing (i.e., the actual >performance), it's distorted. I can't tell you all just how helpful I find some of the postings in this group! (If I told you, I'd have to use net.flame...) So if I've never heard the real thing, does that mean that distortion is nonexistent? Or is it infinite? How about albums like "Arc of a Diver", which were created by extensive mixing? If a note falls in the mixdown, does anyone hear it? (Oops, move that to net.philosophy...) OK, suppose I have some idea that it doesn't sound like the real thing...so what's going on, and why? If you are an audiophile, and nothing else, you are entitled to say that it doesn't matter...but then you're going to have to find someone else to FIX the distortion for you - and THEY'RE going to have to understand distortion - I mean what kinds there are, how to measure them, which you can hear and which you can't, and so on. I'm going on to read what fish wrote - I peeked ahead; it looks like he at least tried to answer the question. I don't see the point in Phil's non- answer. -- ...A friend of the devil is a friend of mine. Dick Dunn {hao,ucbvax,allegra}!nbires!rcd (303) 444-5710 x3086