Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site loral.UUCP Path: utzoo!watmath!clyde!akgua!sdcsvax!sdccsu3!loral!simard From: simard@loral.UUCP (Ray Simard) Newsgroups: net.audio Subject: Re: What does "distortion" sound like? - (nf) Message-ID: <153@loral.UUCP> Date: Sun, 20-May-84 13:17:18 EDT Article-I.D.: loral.153 Posted: Sun May 20 13:17:18 1984 Date-Received: Mon, 21-May-84 05:41:30 EDT References: <32900004@convex.UUCP> <346@drutx.UUCP>, <494@opus.UUCP> Organization: Loral Instruments, San Diego Lines: 34 One thing that seems to be overlooked here is that there is more than one kind of distortion. There's frequency distortion, in which some frequencies are reproduced at a different level from others relative to the original source material, phase distortion in which some frequencies are shifted in phase relative to others, and harmonic distortion, in which frequencies are generated that were never present in the original material. Of these, the first is sometimes desirable (that's why equalizers, not to mention tone controls, exist). I cannot at the moment imagine a useful purpose for the second, though there may be one. The third is just plain trash (unless used for effect, like a rock guitarist's fuzzbox). It's my guess that harmonic distortion is the prime subject of the 'what does it sound like' question. If so, the answer is somewhat complicated, and subject to the listener's interpretation. To me, a harmonically distorted program sounds strained and muddy, as if something in the audio chain is being asked to do something of which it is not capable. Sometimes very short peaks of high-frequency material are clipped which results in a strange perception of irritation. Although the harmonics generated are above human hearing, there is a perceptible effect anyway. In most modern equipment of any quality, THD (total harmonic distortion) levels are so low that one usually cannot hear the distortion directly. However, I find that when listening to a superlative system there is a clarity and distinctness to the sound that is lacking in middle-of-the-road gear. Also, stereo imaging is more definite, adding to the illusion of an actual performance. A friend of mine has a Hafler amp and a pair of Dahlquist speakers, and a high-end turntable (I don't recall the name). He has also furnished his room to avoid resonances and other damaging effects. To hear this system is to enter a very special world. Ray Simard