Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site ucbvax.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!ihnp4!drutx!houxe!hogpc!houti!ariel!vax135!floyd!whuxle!mit-eddie!genrad!decvax!ucbvax!upstill From: upstill@ucbvax.UUCP Newsgroups: net.movies Subject: Re: Suburbia/Roger Corman Message-ID: <743@ucbvax.UUCP> Date: Tue, 15-May-84 13:20:15 EDT Article-I.D.: ucbvax.743 Posted: Tue May 15 13:20:15 1984 Date-Received: Thu, 17-May-84 03:35:49 EDT Organization: U.C. Berkeley Lines: 18 Roger Corman is the "King of the B's", an exploitation filmmaker who started out making drivein fodder (Monster movies, beach-blanket flicks, Poe adaptations) in the 1950's , and has been on pretty much the same track ever since. He stopped directing in 1970 to form New World Pictures, which he recently sold to some SoCal consortium or other. He is well-known not only for flagrant exploitation and doing much (relatively) with nil budgets, but for giving a number of young filmmakers their start: Francis Coppola, Martin Scorcese, Paul ("Eating Raoul") Bartels, Joe ("The Howling", "Gremlins") Dante, Allan ("Get Crazy") Arkush and many others made their first pictures with him. Besides cheapness and sleaze, Corman made one superb, serious film, "The Intruder", a 1960's social-consciousness film in which William Shatner (!?!) plays a racist who comes into a small Southern town to rouse the rabble against the integration of the local high school. The review of Suburbia didn't mention whether Corman had directed or just produced. If directed, this is news I'd like to hear. Steve Upstill