Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 exptools 1/6/84; site ihuxq.UUCP Path: utzoo!watmath!clyde!burl!ulysses!harpo!ihnp4!ihuxq!ken From: ken@ihuxq.UUCP (ken perlow) Newsgroups: net.music Subject: On classical separatism Message-ID: <910@ihuxq.UUCP> Date: Tue, 1-May-84 14:39:43 EDT Article-I.D.: ihuxq.910 Posted: Tue May 1 14:39:43 1984 Date-Received: Wed, 2-May-84 05:33:38 EDT Organization: AT&T Bell Labs, Naperville, IL Lines: 41 -- This tripe about classical music == bad because its composers have been almost entirely white males is truly specious logic. Clearly this phenomenon is not restricted to music. Indeed, Western European society is and has been white, gentile, and sexist. But do not confuse the products with the culture that produced them, lest you fall into the old Nazi routine about "Jewish science." I don't see any of you giving up on computers, even though most (I suspect all) of the significant discoveries in computer science and engineering have been made by white men. This makes our society suspect, not the computers. Someone mentioned that there were few Jewish classical composers. True, although there have been, and continue to be, many Jewish performers. So what? How many Jewish, or women, composers of rock (or whatever is considered more politically correct) music are there? As for the newsgroup, as anyone can clearly see, a plethora of classical articles has spewed forth. I suspect that the single net.music medium was considered too intimidating, as in "well, no one here is really interested in this, are they". I voted for a .classical group not to unsubscribe to net.music, but to be able to order my reading time more productively. I am a pre-classical musician, so I expect .classical to contain those articles that I need the most time to digest. I expected that contemporary music lovers would look forward to this separation for the same reason. But noooo! So stop complaining--read music.classical. You need not certify your breeding. Perhaps after hitting enough n's because you're just not interested in the use of simultaneous cross-relations in early Jacobean consort composition (why would anyone be?), you'll understand why it's there. -- *** *** JE MAINTIENDRAI ***** ***** ****** ****** 01 May 84 [12 Floreal An CXCII] ken perlow ***** ***** (312)979-7261 ** ** ** ** ..ihnp4!ihuxq!ken *** ***