Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site cornell.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!hogpc!houti!ariel!vax135!cornell!gtaylor From: gtaylor@cornell.UUCP Newsgroups: net.music Subject: Re: New Progressive Rock Groups Message-ID: <47@cornell.UUCP> Date: Wed, 16-May-84 22:15:08 EDT Article-I.D.: cornell.47 Posted: Wed May 16 22:15:08 1984 Date-Received: Thu, 17-May-84 07:11:53 EDT References: <3787@yale-comix.UUCP>, <675@pyuxn.UUCP> Organization: Cornell Univ. CS Dept. Lines: 41 I imagine that the gentleman who's looking for twelfth night and pallas (surprised he didn't mention Marillion) is using the term in the same way that my wife's collegues in German Literature use the term "modern." as opposed to "contemporary." Rich is correct to wonder out loud about what is "new" out there. Lotsa what's going on at present involves either the repackaging of some old sound or style (REM, the Neats, Lyre, Three o'Clock), serious technological upgrading of the same "small is beautiful" approach that gave us the singer/songwriter in the 70's (Dolby, and in some ways Laurie Anderson...the current apotheosis of artist as "troubador") or the "new" as a catchphrase for the record industry's newly filled coffers. Most of the stuff outside of those basic approaches involve a SERIOUS atavism that make the individuals hard to find, and tough going once located (I'm thinking of the new Black Flag, 23 SKidoo (who I've decided I REALLY am interested in), This Heat, SPK, or Einsturzende Neubauten. For that reason, I find that I'm scanning the pages of OP magazine much more seriously these days, searching for that spark of recognition or tickle of curiousity that says there's something out there worth checking out. It looks to me as if the "ambient" school is taking some really interesting twists and turns these days-moving away from some of the german "new-age" stuff into some ethno territories and collage techniques that wind up producing pieces that remind you of the way that Debussy could write those big, dense fogbanks of humid orchestra. The stuff like that that I'm getting these days for review and personal consumption has been more satisfying than any single sort of music I can think of. If anyone is interested, I could post a sort of listing of what of this stuff I'd say is pretty interesting. Drop me a line. gtaylor