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From: gmk@uicsg.UUCP
Newsgroups: net.music
Subject: Re: Re: Welcome back, my friends, ... (a - (nf)
Message-ID: <8300026@uicsg.UUCP>
Date: Wed, 23-May-84 21:28:00 EDT
Article-I.D.: uicsg.8300026
Posted: Wed May 23 21:28:00 1984
Date-Received: Sat, 26-May-84 12:43:49 EDT
References: <7396@gatech.UUCP>
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Nf-ID: #R:gatech:-739600:uicsg:8300026:000:1062
Nf-From: uicsg!gmk    May 23 20:28:00 1984

#R:gatech:-739600:uicsg:8300026:000:1062
uicsg!gmk    May 23 20:28:00 1984

> ***** uicsl:net.music / gatech!spaf /  7:24 am  May 20, 1984
> 20) Tongues are rattling and multiprattling,
>     the thanatoid elite
>     that call the noisome, remorseless
>     horseman, we pray they into sleep
>     For when they're riding there is no hiding
>     your face
> 
> [Shawn Phillips, Hie Away, Rumplestiltskin's Resolve]
> 	(This probably was way too esoteric.  However, most of Shawn's
> 	albums are full of interesting music and lyrics
> 	and I just had to include some.  "Faces" is a recommended
> 	album, including the piece "She Was Waiting for Her Mother at the
> 	Station in Torino and You Know I Love You Baby But It's Getting
> 	Too Heavy To Laugh."  Whew!)

	"Faces" is good but "SWWfhMatSiTaYKILYBBIGtHtL" is from
"Second Contribution"--the definitive Shawn Phillips album.
The songs segue into one another beautifully, making the entire album
appear to be one continuous piece of music. I've seen Shawn twice
and he's at his best when playing material from "Second Contribution".

					Gary Koob
					..!pur-ee!uiucdcs!uicsg!gmk