Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1exp 11/4/83; site iwpba.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!ihnp4!iwpba!amigo From: amigo@iwpba.UUCP (amigo) Newsgroups: net.music.classical Subject: Re: John Cage Message-ID: <143@iwpba.UUCP> Date: Wed, 9-May-84 13:37:16 EDT Article-I.D.: iwpba.143 Posted: Wed May 9 13:37:16 1984 Date-Received: Thu, 10-May-84 00:10:25 EDT References: <247@uwvax.ARPA> Organization: AT&T Bell Labs, Naperville, Il Lines: 37 I think that David Anderson sums up very well my main objection to Cage (indeed, many 20th century composers--Schoenberg comes immediately to mind) when he says: >> Listening to Cage (and practicing Zen) are very difficult >> and initially unrewarding activities. I never got beyond >> this initial period, but there is evidence that other >> people have. When I first started listening to Bach and Mozart, I did not know what a fugue was, nor did the phrase "sonata form" have any meaning to me, but there was something in the music which did appeal to my undeveloped taste (I remember being captivated by JESU, JOY OF MAN'S DESIRING at age 6). I felt that there was something worth listening to in these works, so I continued to do so. I have never had the same feeling with Cage et al., so I have never gotten beyond the initial stage that David mentions, simply because I have had such a hard time trying to get something out of the music. I remember once listening to a programme of Schoenberg's music on the CBC radio (they played PERRIOT LUNAIRE, which comes close to being my all time least favourite piece, especially the section DER KRANKER MOND, which always makes me feel nauseous), and the person introducing the pieces said that "Schoenberg has always had a high regard among the musical cognoscenti, but has never achieved any sort of popular following;" with an unspoken, but obvious, "and I've always wondered why." Well, I could have told him exactly why. During one piece (I forget which one) of serial music, I suddenly had a flash of "He must have made a mistake, I could almost detect a tune there for a few moments." Well, I will break off now, and go and listen to Pachibel's D MINOR CANON or Vivaldi's SPRING to soothe myself. John Hobson AT&T Bell Labs--Naperville, IL ihnp4!iwpba!amigo (NOTE TEMPORARY MACHINE)