Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site ames-lm.UUCP Path: utzoo!watmath!clyde!burl!ulysses!harpo!seismo!hao!ames-lm!barry From: barry@ames-lm.UUCP (Kenn Barry) Newsgroups: net.music.classical Subject: Re: Tonality and "Le Sacre du Printemps" Message-ID: <255@ames-lm.UUCP> Date: Thu, 17-May-84 16:39:28 EDT Article-I.D.: ames-lm.255 Posted: Thu May 17 16:39:28 1984 Date-Received: Fri, 18-May-84 07:30:40 EDT References: <3768@tekecs.UUCP> Organization: NASA-Ames Research Center, Mtn. View, CA Lines: 15 [Honor this line - it had to fight to get here!] I can't pass up a mention of my favorite piece of classical music. I believe that "Le Sacre du Printemps" is generally classed as neither tonal nor atonal, but polytonal; i.e., there are tonal centers, but they move around. Much of it has part of the orchestra playing in one key, while another plays simultaneously in a different key. Just a personal opinion, but I'd be much happier with 20th century music if polytonality had maintained its popularity, and atonality had died a quick and merciful death. (*That* should cause some comment!) Kenn Barry NASA-Ames Research Center Moffett Field, CA ------------------------------------------------------------------------------- Electric Avenue: {dual,hao,menlo70,hplabs}!ames-lm!barry