Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site trwrba.UUCP Path: utzoo!watmath!clyde!burl!ulysses!harpo!decvax!ittvax!dcdwest!sdcsvax!bmcg!cepu!trwrba!suhre From: suhre@trwrba.UUCP Newsgroups: net.music.classical Subject: Re: Absolute Pitch vs Absolute Keys Message-ID: <749@trwrba.UUCP> Date: Thu, 17-May-84 13:09:21 EDT Article-I.D.: trwrba.749 Posted: Thu May 17 13:09:21 1984 Date-Received: Fri, 18-May-84 23:31:49 EDT References: <131@ihnet.UUCP>, <1093@ihuxl.UUCP> Organization: TRW EDS, Redondo Beach, CA Lines: 11 "Normal" tempering rather than "equal" tempering will necessarily give every key signature a slightly different quality because of the differences in beats between the various notes and their harmonics. I think that the original composers may have taken that into consideration in their compositions. Save me from equal tempering! Maurice {decvax,sdcrdcf,hplabs,ucbvax}!trwrb!suhre