Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 (Tek) 9/26/83; site tekecs.UUCP Path: utzoo!watmath!clyde!akgua!sdcsvax!sdcrdcf!hplabs!tektronix!orca!tekecs!jeffw From: jeffw@tekecs.UUCP (Jeff Winslow) Newsgroups: net.music.classical Subject: Re: Poor composers or poor listener (mild flame) Message-ID: <3783@tekecs.UUCP> Date: Thu, 17-May-84 12:28:48 EDT Article-I.D.: tekecs.3783 Posted: Thu May 17 12:28:48 1984 Date-Received: Mon, 21-May-84 05:16:48 EDT Organization: Tektronix, Wilsonville OR Lines: 20 (ugh) > On the contrary, I think a lot of such condemnation come precisely from such > study. Though people can certainly listen to and enjoy whatever they like, > those who do analyze what went into musical works have found a number of > important things. Such as, although a piece of music may be well-loved and > although it has survived for hundreds of years, the composer was a hack and a > thief who stole the idea from a strugging, starving, and currently unheard of > composer with much more talent. (Imagine that...) And analysis is always objective and accurate. Seriously, if a piece is as you describe, the analysis is probably wrong - at least in judging the work a hack job. After all, music is more than just what can be analyzed. (As if I had to tell YOU that, Mr. Rich Rosen. Shame on you! :-) Of course, if you REALLY want to get an argument started, you might give an example... what's repentance, anyway? Jeff Winslow