Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site cornell.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!hogpc!houti!ariel!vax135!cornell!gtaylor From: gtaylor@cornell.UUCP Newsgroups: net.music.classical Subject: Re: edit music Message-ID: <117@cornell.UUCP> Date: Tue, 22-May-84 10:45:27 EDT Article-I.D.: cornell.117 Posted: Tue May 22 10:45:27 1984 Date-Received: Wed, 23-May-84 09:10:05 EDT References: <1901@mit-eddie.UUCP> Organization: Cornell Univ. CS Dept. Lines: 25 The music editor described in the BYTE article might wellllllll be the Mockingbird, which was originally developed on a Xerox DOrado (which we can ALLLLLL afford). It was interfaced with a cheesy Yamaha e-piano, and wrote an approximate time-corrected version of the score, which was then checked over (for staves, spacing, beaming, etc. It will be interesting to watch this work, as many of the same basic concepts about software design found on the Dorado appear in some form on the Macintosh. I have already heard lovely rumours from friends here and abroad that some music editors may be in development soon for the Mac. It would certainly be cost effective, to say the least. Probably we'd have to wait for more memory. The Synclavier printer and editor is all it's cracked up to be (I only wish we had it on the "no-heater, no whitewalls" Synclavier I work on!). But SCRIPT per se as I remember it is a more old-fashioned computer music language, consisting of instructions grouped like regular structured programming instructions. To its credit, John Appleton and Co. have made a decent, flexible, and useful version of that way of working available. gtaylor