Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 (Tek) 9/26/83; site tekecs.UUCP Path: utzoo!watmath!clyde!akgua!sdcsvax!sdcrdcf!hplabs!tektronix!orca!tekecs!jeffw From: jeffw@tekecs.UUCP (Jeff Winslow) Newsgroups: net.music,net.music.classical Subject: Re: cage and listening Message-ID: <3799@tekecs.UUCP> Date: Wed, 23-May-84 13:49:49 EDT Article-I.D.: tekecs.3799 Posted: Wed May 23 13:49:49 1984 Date-Received: Thu, 31-May-84 19:46:01 EDT Organization: Tektronix, Wilsonville OR Lines: 27 Xref: 1059 269 > I think that this kind of selective ignore-ance is what Cage > is trying to get us to be aware of. Really? How profound! As if he were the only one that ever realized this. I'm very aware of it - I'm also aware that selective "ignore-ance" is precisely that part of my hearing which causes me to enjoy music. He says the glass is half empty - I say it's half full. The non-selective listening described is what a tape recorder does perfectly well. But alas, not even a tape recorder prefers Cage to music. > If you come to Cage's music with a mind-set that's prepared to > hear melodies, harmonies, drama, developement, etc., you're bound to > be disappointed. There nothing there! Well, there's plenty there, just > as there is plently going on around you now, you just aren't prepared > to hear it. I'm not only prepared to hear it, I do hear it, and IT'S NOT INTERESTING. People talking, keyboards clacking, footsteps, chair squeaks, SO WHAT? Cage's work belongs in the realm of philosophy, not music. I love music. Philosophy generally bores me stiff. Nothing personal, Karl - Jeff Winslow