Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site uwvax.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!houxz!vax135!floyd!cmcl2!seismo!uwvax!anderson From: anderson@uwvax.ARPA Newsgroups: net.music.classical Subject: Upright pianos Message-ID: <282@uwvax.ARPA> Date: Wed, 30-May-84 01:02:52 EDT Article-I.D.: uwvax.282 Posted: Wed May 30 01:02:52 1984 Date-Received: Fri, 1-Jun-84 08:10:39 EDT Organization: U of Wisconsin CS Dept Lines: 22 <> In connection with Emily Brooks' article: actually I think all uprights have removable top and front panels. It's kind of fun to take them off and watch the action. On my Yamaha U1, the sound is overwhelmingly loud and harsh if you do this. In fact, to obtain the sound I want, I have a heavy quilt draped behind the piano (most of the sound comes out there), and I have the top opened slightly (Yamaha has a little brace that lets you open the top about an inch). The resulting sound is very rich, but with a clarity that is lost if the top is completely closed. Yamaha uses the middle pedal for a 'practice pedal' which lowers a piece of thick felt between the hammers and the strings. The resulting sound is extremely soft, like an unamplified electric piano, and would definitely not disturb the neighbors (fortunately, my apt. is curiously soundproof and I routinely play well into the small hours without death threats). At some point I will post an article about "adjustments to a piano action that anyone can do". Is anyone else into whippets, capstans, etc.? Cheers- David Anderson (wisc-rsch!anderson)