Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site whuxj.UUCP Path: utzoo!watmath!clyde!burl!hou3c!hocda!houxm!whuxl!whuxj!wjm From: wjm@whuxj.UUCP (MITCHELL) Newsgroups: net.music.classical Subject: Re: Copeland Message-ID: <251@whuxj.UUCP> Date: Tue, 29-May-84 13:55:29 EDT Article-I.D.: whuxj.251 Posted: Tue May 29 13:55:29 1984 Date-Received: Fri, 1-Jun-84 22:00:01 EDT Organization: Bellcore Lines: 12 Last Thursday, I went to an all-Copeland concert at Carnegie Hall by the Pittsburgh Symphony under Andre Previn. The concert had a mix of some of Copeland's pre World War II works which I enjoy (e.g. Appalacian Spring, El Salon Mexico, Rodeo) - although I was disappointed by this performance of them and some of the later works which I don't like (e.g. his 1962 "Connotations") Frankly, I find it hard to relate to "modern" classical music - it doesn't contain sound patterns that I can relate to as musical in the way that pre-twentieth century classical music, or relatively modern jazz works do. Bill Mitchell Bell Communications Research, Inc. (whuxj!wjm)