Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site eosp1.UUCP Path: utzoo!linus!philabs!cmcl2!floyd!clyde!burl!ulysses!allegra!princeton!eosp1!robison From: robison@eosp1.UUCP (Tobias D. Robison) Newsgroups: net.music.classical Subject: Re: Re: Modern Music; Berg and lightbulbs Message-ID: <904@eosp1.UUCP> Date: Thu, 31-May-84 18:22:39 EDT Article-I.D.: eosp1.904 Posted: Thu May 31 18:22:39 1984 Date-Received: Sat, 2-Jun-84 11:36:05 EDT Organization: Exxon Office Systems, Princeton, NJ Lines: 18 References: Bob Fishell may have had good reason to compare Berg's violin concerto to breaking lightbulbs -- did he hear a good performance of it? The Berg concerto provides a good case study in recordings of how performances of a work can improve. There are atrocious recordings (particularly older ones) in which the violin soloist gets a few beats separated from the orchestra, and in which melodic lines or rhythms that move among instruments just get butchered. A bad perofrmance sounds very "modern" -- very jangly, very atonal, very strangely rhythmic. A good performance (of Wozzeck or Lulu too) sounds lusciously Romantic. - Toby Robison (not Robinson!) allegra!eosp1!robison decvax!ittvax!eosp1!robison princeton!eosp1!robison