Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site flairvax.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!ihnp4!harpo!decvax!decwrl!flairvax!ellis From: ellis@flairvax.UUCP (Michael Ellis) Newsgroups: net.music.classical Subject: Re: Classical Music for Newcomers Message-ID: <470@flairvax.UUCP> Date: Thu, 3-May-84 09:46:56 EDT Article-I.D.: flairvax.470 Posted: Thu May 3 09:46:56 1984 Date-Received: Fri, 4-May-84 05:34:14 EDT Organization: Fairchild AI Lab, Palo Alto, CA Lines: 54 Re: Chamber Music for Newcomers Other recommendations (at least these are what grabbed me way back when..) Brahms is a major bonanza for chamber music lovers, particularly if you like heavy thick chords and rich romantic harmonies. He was a perfectionist who destroyed much of his own work that he judged inferior, and it is hard to find anything he wrote that is not perfect, unless you just don't like Brahms. Highly recomended are the clarinet quintet, the piano quintet, and the piano quartets, besides the marvelous sextets mentioned in Yosi Hoshen's article. If you like the gypsy sounds in the 1st piano quartet, perhaps Cesare Franck's wild and sensuous piano quintet will appeal to you as well. If any composer specialized in chamber music, it was Gabriel Faure (who has no symphonies, and very few orchestral works). Most of Faure's work is ethereal, poignant, perhaps not aggressive enough for some tastes. The two piano quintets are a good introduction to his style. Schubert has several string quartets that are well worth getting acquainted with. In addition to the `Quartettsatz' and `Death and the Maiden' (which makes really swell funeral music), one should really check out the soaring quartet number 15 -- his last, and one of my all time favorite chamber compositions. It is hard to agree with the recent admonition to beginners concerning Beethoven's late string quartets! These were among the first chamber compositions that appealed to me -- his other chamber music seems to pale in comparison to these ears. This music is so elevated and sublime that composers have been intimidated by the task of writing string quartets ever since. Admittedly, we are not talking about party music here... Though his relatively violent Grosse Fuge is still capable of emptying rooms, I'd most strongly recommend the C-sharp minor quartet. The inner 5(?) movements of this most unconventional piece meander thru a marvelous sequence of subtle, quiet states that can produce an almost zen-like trance. Space cadets should find much appealing in the earlier Rasoumovsky quartets as well. Shostakovich's string quartets strike me as the finest music he wrote, even if you think his (frequently political) symphonies suck. Those who are inclined to dismiss this composer ought to hear his string quartets 4, 5, 7, 8, and 9. These are full of beautiful melodies, meditative interludes, and pure magic. A punk I know ended up jumping around the room on his first acquaintance with the Bartok Quartets -- the vicious rhythms are capable of producing an incredible adrenalin rush -- particularly numbers 3, 4 and 5. The quiet parts of these are also particularly fun, full of expectant anxiety and occasionally acheiving a weird, dreamlike kind of serenity. This music is a nightmare if you are really stuck in conventional sounds, however. -michael