Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1a 12/4/83; site rlgvax.UUCP Path: utzoo!watmath!clyde!akgua!sdcsvax!sdcrdcf!hplabs!hao!seismo!rlgvax!knight From: knight@rlgvax.UUCP (Steve Knight) Newsgroups: net.sf-lovers Subject: Re: why not iapetus? Message-ID: <1898@rlgvax.UUCP> Date: Sun, 6-May-84 21:08:52 EDT Article-I.D.: rlgvax.1898 Posted: Sun May 6 21:08:52 1984 Date-Received: Wed, 9-May-84 03:28:06 EDT References: <317@sri-arpa.UUCP> Organization: CCI Office Systems Group, Reston, VA Lines: 24 > there was a very specific reason why bowman & poole & hal & co. went to > jupiter and not iapetus in 2001. doug trumbull did up a > saturn for kubrick and kubrick didn't like it--wasn't colorful enough for > him. so trumbull made up a jupiter, turned up thehue and intensity a > little, and kubrick decided jupiter was better. i always resented the > guy for that. the switch greatly damaged the credibility of the movie as > sf, and all for the sake of bands on a plaster planet. urrkh. > this from a book by jerome agel (i think; it's been years) called > the making of 2001 or something like that. Did we read the same book? As I recall, the problem was that they simply could not come up with a believable way of representing the rings, and it was a collective decision (on both Kubrick's and Trumbull's parts) to switch to a planet that was easier to produce *believably* on film (i.e., better a good Jupiter than a poor Saturn). I have a difficult time believing that someone like Kubrick, who approached making "2001" with as much integrity as he did, would turn fickle over whether he liked the colours or not. -- "If you lived here, you'd be home by now." Steve Knight {seismo,allegra,some other sites}!rlgvax!knight