Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: Notesfiles; site uicsl.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!ihnp4!inuxc!pur-ee!uiucdcs!uicsl!gmk From: gmk@uicsl.UUCP Newsgroups: net.music Subject: Re: Moody Blues concert review - (nf) Message-ID: <20500001@uicsl.UUCP> Date: Fri, 13-Jul-84 12:04:00 EDT Article-I.D.: uicsl.20500001 Posted: Fri Jul 13 12:04:00 1984 Date-Received: Sun, 15-Jul-84 02:00:08 EDT References: <494@ccieng5.UUCP> Lines: 38 Nf-ID: #R:ccieng5:-49400:uicsl:20500001:000:1664 Nf-From: uicsl!gmk Jul 13 11:04:00 1984 #R:ccieng5:-49400:uicsl:20500001:000:1664 uicsl!gmk Jul 13 11:04:00 1984 I saw the Moodies once in 1981 (after the release of "Long Distance Voyager") and thought it was a very good show. I agree that Patrick Moraz's talents are being wasted in this group and would be overjoyed if he ever returned to YES. I do like the way he has transformed the Moodies sound, however. His lush keyboards and generous use of synthesizer (which the MBs had never used before) were responsible more than anything else for the brilliant sound of LDV. I'm somewhat disappointed in "The Present", though. It just doesn't seem to have the same magic. The remaining members of the band have never been great musicians but their strength has been in their songwriting, their arranging, and their diversity. They were one of the first bands to use a mellotron to achieve their famous orchestral sound and how many other "pop" bands have complemented their array of basic instruments with flute, harpsichord, sitar, and violin. The Moodies (sans Moraz) don't play any instrument with any virtuosity but they play a wide variety of different instruments. (There's a blurb on one of their early albums that they're the "world's smallest symphony orchestra" and, before YES came along, that was probably true.) Back to their live performance: I was most impressed with Ray Thomas. His flute solo on "Legend of a Mind" was incredible. I left that concert with a much greater respect for him as a musician. His songs in recent years have become more introspective, though, to the point of self-indulgent whining. Compare "Veteran Cosmic Rocker" and "Sorry" to his earlier masterpieces like "For My Lady" and "Nice to be Here". Gary Koob pur-ee!uiucdcs!uicsg!gmk