Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP
Posting-Version: version B 2.10.1 6/24/83; site unm-cvax.UUCP
Path: utzoo!linus!decvax!ittvax!dcdwest!sdcsvax!akgua!mcnc!philabs!cmcl2!lanl-a!unm-cvax!janney
From: janney@unm-cvax.UUCP
Newsgroups: net.music,net.music.classical
Subject: Re: what is tonality, anyway?
Message-ID: <1004@unm-cvax.UUCP>
Date: Wed, 11-Jul-84 00:47:36 EDT
Article-I.D.: unm-cvax.1004
Posted: Wed Jul 11 00:47:36 1984
Date-Received: Mon, 16-Jul-84 05:29:47 EDT
References: <3883@tekecs.UUCP>
Organization: Univ. of New Mexico, Albuquerque
Lines: 6

>    Here's an interesting thought for you: one could easily write a piece
> which used 12-tone rows as a structural element but was tonal as well.

I believe that a well-known conservative 20th century composer
(Copland, perhaps?) wrote a twelve-tone piece using as the tone row
the circle of fifths.  Sorry, I can't remember who it was.