Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site brl-tgr.ARPA Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!houxz!vax135!cornell!uw-beaver!tektronix!hplabs!hao!seismo!brl-tgr!wmartin From: wmartin@brl-tgr.ARPA (Will Martin ) Newsgroups: net.audio,net.info-terms,net.wanted Subject: Re: High Frequency sound and terminals... Message-ID: <3075@brl-tgr.ARPA> Date: Mon, 2-Jul-84 13:34:15 EDT Article-I.D.: brl-tgr.3075 Posted: Mon Jul 2 13:34:15 1984 Date-Received: Fri, 13-Jul-84 03:42:43 EDT References: <197@imsvax>UUCP>, <2287@ihuxf>UUCP> Organization: Ballistics Research Lab Lines: 15 It is amazing that this discussion should arise just when it did; the May, 1984, issue of "db, The Sound Engineering Magazine", which just came out (it's always behind the cover date), has a long "letter to the editor" on this very subject, with lots of detailed measurements and a discussion of how the grunge audio emitted by CRT monitors in studios is probably feeding back through open mikes and consoles to distort and intermod with recorded sound. The letter is by an "R. H. Coddington", and can be found on pages 2 & 4 of the May 84 db. I strongly suggest anyone interested in this subject stop by their library and look at this; it's far too long to type in and submit to the net. Will