Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 UW 5/3/83; site uw-beaver Path: utzoo!watmath!clyde!burl!ulysses!mhuxl!houxm!vax135!cornell!uw-beaver!info-mac From: info-mac@uw-beaver (info-mac) Newsgroups: fa.info-mac Subject: Re: Macintosh sound Message-ID: <1631@uw-beaver> Date: Tue, 4-Sep-84 20:51:26 EDT Article-I.D.: uw-beaver>.1631 Posted: Tue Sep 4 20:51:26 1984 Date-Received: Thu, 6-Sep-84 04:02:11 EDT Sender: daemon@uw-beave Organization: U of Washington Computer Science Lines: 16 From: Thomas.Newton@cmu-cs-spice.arpa What do you mean, "quite nice digital sound for the price"? According to the owner's manual, the Mac has "four-voice sound with eight-bit digital- analog conversion." Big deal. My Atari has four eight-bit voices, and it doesn't require 50% of the processor time to maintain them. Besides, eight- bit D/A conversion sounds really horrible for music. The Atari allows you to combine voices to get two sixteen-bit channels. The Commodore 64 has even better sound -- three sixteen-bit voices with various filtering options. Given the resolution of the Mac A/D converters, and the processor overhead needed to generate sound, it's pretty obvious that Mac sound is better suited to voice synthesis than to music. Commodore 64s and Ataris are pretty cheap these days, so it can't be too expensive to include a custom sound chip in a personal computer. It's too bad that Apple didn't include a sound chip with the Mac *in addition* to the sound buffer -- I know that I would have been willing to pay an extra $10 or $20 for high-quality sound & voice synthesis.