Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10 5/3/83; site olivej.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxj!ihnp4!zehntel!dual!amd!zentec!qumix!qubix!ios!oliveb!olivej!greg From: greg@olivej.UUCP (Greg Paley) Newsgroups: net.audio Subject: Re: The Pepsi Challenge Message-ID: <241@olivej.UUCP> Date: Fri, 26-Oct-84 17:19:30 EST Article-I.D.: olivej.241 Posted: Fri Oct 26 17:19:30 1984 Date-Received: Sun, 28-Oct-84 07:08:49 EST References: <1189@hou4b.UUCP>, <1239@drux3.UUCP> <953@houxm.UUCP> Organization: Olivetti ATC, Cupertino, Ca Lines: 26 I feel, quite frankly, that analogue vs. digital comparisons are now ultimately irrelevant. The LP as a distribution media may not be dead but analogue master recording seems, like it or not, to be a thing of the past. If you accept this as true, the real concern should be with tracking down and eliminating what anomalies remain in the current digital technology. Where comparisons are used as a basis for doing this, they should be with the object being recorded (live vs. Memorex) - even using an analogue master tape to measure what deviances a digital copy produces won't ultimately suffice. A major first step will be the development of a set of genuinely appropriate measuring techniques for generating specifications for digital recordings and equipment. The fact that, by the standard measurement processes which have been previously applied to analogue recordings, digital recordings seem to be flawless is only a confirmation of the inadequacy of those measurements. Claiming that there are no problems remaining in digital recordings and sneering contemptuously at those "golden ears" who claim to hear them is going to help nobody. - Greg Paley