Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Path: utzoo!watmath!clyde!bonnie!akgua!sdcsvax!dcdwest!ittvax!decvax!cca!ima!inmet!schooler From: schooler@inmet.UUCP Newsgroups: net.audio Subject: Re: Floating Point CD's Message-ID: <1765@inmet.UUCP> Date: Sun, 28-Oct-84 03:36:58 EST Article-I.D.: inmet.1765 Posted: Sun Oct 28 03:36:58 1984 Date-Received: Tue, 30-Oct-84 00:44:49 EST Lines: 18 Nf-ID: #R:inmet:2600114:inmet:2600116:000:1072 Nf-From: inmet!schooler Oct 26 10:38:00 1984 As someone pointed out, a 16-bit floating-point representation is over-kill. (Who needs > 150 dB?!) Consider, however, an 8-bit logarithmic representation, as proposed by Edgar and Lee in "FOCUS Microcomputer Number System", Comm. ACM, Vol. 22, Num. 3, March 1979. This representation has one sign bit and a seven-bit exponent in fixed-point format with three fraction bits. The sign of the exponent is encoded by an offset, i.e. 0 1000.000 = +2^0 = 1. The authors claim a range of 96 dB, an absolute S/N of 93 dB, and an instantaneous S/N (precision, roughly) of 32 dB. I quote, "In audio applications the noise level of even the 8-bit FOCUS compares favorably to the highest quality cassette recordings as a means of signal handling." Furthermore, they suggest a simple circuit for logarithmic A-D's and exponential D-A's. While addition and subtraction are to be avoided, multiplication, division and exponentiation are fast and exact. If all this is really valid, we can cram twice as much sound per bit onto our favorite digital medium. -- Richard Schooler