Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 exptools 1/6/84; site iham1.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxj!houxm!ihnp4!iham1!rwn From: rwn@iham1.UUCP (Bob Neumann) Newsgroups: net.music Subject: Ensonique Digita Sampling Keyboard Message-ID: <260@iham1.UUCP> Date: Tue, 27-Nov-84 17:39:00 EST Article-I.D.: iham1.260 Posted: Tue Nov 27 17:39:00 1984 Date-Received: Wed, 28-Nov-84 04:35:26 EST Organization: AT&T Bell Labs, Naperville, IL Lines: 40 Does anyone have any information on the "Mirage" keyboard produced by the "Ensonique" corporation in Pennsylvania? I saw a two page add in the latest issue of Keyboard magazine and would like to know if anyone out there has heard the instrument, or has more info on how the instrument works. For those of you who are totally mystified by what I am talking about, the Ensonique Mirage is a keyboard instrument that claims to allow a user to digitallly sample his own sounds (concert grand, B3, breaking glass, etc), modify the sounds, and store them on a disk for later recall, similar to an EMULATOR II, Fairlight, Synclavier, etc. The difference is this instrument has a retail price of $1695.00, quite a bit of a difference from a Fairlight for $30,000. Among my questions: Is the sampling rate slower (than Fairlight, etc), and therefore dirty sounding with bad frequency response, etc. ? Does the "built in sequencer" have an external clock input or output? Does the keyboard have MIDI? How well does the "velocity sensitive" keyboard work? Sounds like a neat toy if it actually works. I always feel strange about "new electronic music instrument companies". Remember what happened with the VAKO Polyphonic Orchestron? Bob Neumann BTL-IH (312)-979-6533