Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.1 6/24/83; site itm.UUCP Path: utzoo!watmath!clyde!burl!ulysses!mhuxr!mhuxj!houxm!whuxlm!akgua!gatech!fba!itm!brent From: brent@itm.UUCP (Brent) Newsgroups: net.audio Subject: Re: CD musings and freqs gt 20 kHz Message-ID: <226@itm.UUCP> Date: Sun, 20-Jan-85 15:00:49 EST Article-I.D.: itm.226 Posted: Sun Jan 20 15:00:49 1985 Date-Received: Wed, 23-Jan-85 07:03:26 EST References: <162@lcuxc.UUCP> Reply-To: brent@itm.UUCP (Brent) Organization: In Touch - Atlanta, GA Lines: 26 Summary: X OK folks, let's cover this ground again. Opinionate all you want, I'll stick to experimental fact: KEF labratories in England do an extensive amount of psychoacoustic research in the design of their speaker systems. They do things like have a person and a pair of speakers behind a screen, and do double- blind listening comparisons of the person and a tape recording of that person. They double-blind switch in distorters, 9-th order elliptic filters, etc. What have they learned after doing thousands of tests on hundreds of subjects? Well, when the great digital debate first came up in the Audio Engineering Socitey, KEF took their equipment to one of the conventions, ran the tests for anyone who wanted to participate, published the raw test scores and the statistical conclusions. In short, it was an extensive research project. THE RESULT: (drum roll, please) Nothing above 16 kHz makes any difference. And so the professional audio community was convinced. Don't argue with me, argue with KEF's numbers. -- Brent Laminack (akgua!itm!brent)