Relay-Version: version B 2.10 5/3/83; site utzoo.UUCP Posting-Version: version B 2.10.2 9/18/84; site rlgvax.UUCP Path: utzoo!watmath!clyde!burl!ulysses!allegra!mit-eddie!godot!harvard!seismo!rlgvax!knight From: knight@rlgvax.UUCP (Steve Knight) Newsgroups: net.movies Subject: Re: Passage to India (really Dr. Zhivago's music) Message-ID: <526@rlgvax.UUCP> Date: Thu, 28-Feb-85 11:07:48 EST Article-I.D.: rlgvax.526 Posted: Thu Feb 28 11:07:48 1985 Date-Received: Fri, 1-Mar-85 21:14:10 EST References: <84@spar.UUCP> Organization: CCI Office Systems Group, Reston, VA Lines: 33 > A pleasant surprise was the subtle and unnoticeable musical score, which > caused mental interference only while the initial and final credits were > being shown -- a welcome relief from the bombastic musical themes that > marred `Dr. Zhivago' and `Lawrence of Arabia'. > > -michael A potentially interesting note on Maurice Jarre's score for Dr. Zhivago, from the book "Film Music: A Neglected Art" by Roy M. Prendergast: As a contrast to this sensitive use of a theme [Mancini's sparing use of "Moon River" in "Breakfast at Tiffany's"], one might look at Maurice Jarre's score for "Dr. Zhivago" where his banal "Lara's Theme" grinds on interminably and loses any of its dramatic impact by the end of the first third of the film. A footnote, though, adds this: In fairness to Maurice Jarre, it should be pointed out that he was not responsible for this. The producer, during the production of the film, became so enamored of Jarre's "Lara's Theme" that he threw out much of Jarre's other music for the film and substituted the music of "Lara's Theme." I have to admit I was somewhat relieved. I had always enjoyed the soundtrack album for "Dr. Zhivago," and was disappointed that the film itself seemed to handle the music so insensitively. Hmm...maybe this should have gone in net.music.movies (or vice versa)... :-) -- Steve Knight {seismo,allegra,some other sites}!rlgvax!knight